An Interview with Michael Rowe

Michael Rowe's "Wild Fell" was nominated for the 2013 Shirley Jackson Award.

Michael Rowe’s “Wild Fell” was nominated for the 2013 Shirley Jackson Award.

Michael Rowe is an award-winning Toronto journalist, essayist, and novelist. He was the first-tier Canadian correspondent for Fangoria for seventeen years. In addition, Rowe created and edited the Queer Fear series, which changed the landscape of horror fiction. The stories (predominantly written by het writers, ironically) spotlighted queer protagonists. Some big names in the horror field took note, notably Clive Barker, who hailed Rowe in 2002 as having “changed forever the shape of horror fiction.” Rowe published his first novel, Enter, Night, with ChiZine Publications in 2011, garnering critical praise and a Sunburst Award nomination. Rowe called Enter, Night his unabashed 1970s vampire novel. He published his second novel, Wild Fell, in 2013, also with ChiZine, to further acclaim. Wild Fell was a finalist for this year’s Shirley Jackson Award as part of a lineup which included Joyce Carol Oates and Andrew Pyper. Contributing Editor James K. Moran, who once interviewed Rowe for Daily Xtra, chatted with him by email earlier this summer. Moran describes Rowe as a “gentleman of the highest order” who “wields a darkly wicked sense of humour and a rapier wit.”

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PstD on CKCU-FM

Artwork by Cherry Valance

Artwork by Cherry Valance

We had the opportunity to talk to CKCU Radio’s Kate Hunt, one of the hosts of Literary Landscapes, about Postscripts to Darkness in general and Volume 5 in particular. Kate asked co-editor Ranylt Richildis about the magazine’s origins, what it is about horror that fascinates the public, the role of editors in diversifying author representation, and the emergent speculative fiction cluster in Ottawa. Click here to listen to the interview.

Volume 5 Launch!

Artwork by Sebyth

Artwork by Sebyth

The hour is finally upon us. We’re launching our fifth volume on July 31 in Ottawa at the venerable Raw Sugar Cafe in Chinatown (7pm). It will be another amazing literary event that will bring together the city’s speculative fiction crowd and put another notch in Ottawa’s belt as a fast-growing hub for fantasy, science fiction, and horror. Authors will be reading their wonderful weird tales, books will be available for purchase, and great coffee, tea, desserts and (most importantly) spirits will be on hand. Evelyn Deshane, Alexander Polkki, Matt Moore and Kate Heartfield will regale you with their words, and our inspiring cover artist, Cherry Valance, will sell the artwork she created to front Volume 5, as well. We hope to see you there. No cover charge.

An Interview with Nancy Kilpatrick

Nancy Kilpatrick has won the Arthur Ellis Award for Best Mystery Story.

Nancy Kilpatrick’s “Danse Macabre” (ed.) won the Paris Book Festival Award for Best Anthology.

Nancy Kilpatrick, Canada’s reigning queen of Goth and vampire lore, proves a fount of knowledge about being an author in these shifting sands. She’s accomplished a prolific trifecta as author, editor, and teacher, and has won numerous awards as both writer and editor, from the Arthur Ellis Award for Best Mystery to Foreword Reviews’ Book of the Year. From zombies to vampires, short-story markets, nonfiction, and the state of traditional dark fiction publishing, her thoughts as a Canadian female artist of dark design who’s had an online presence since the dawn of the internet are unmatched. She and Lydia Peever spoke just before Women in Horror Month, 2014.

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An Interview with Tony Burgess

Tony Burgess is the award-winning author of "Pontypool Changes Everything."

Tony Burgess is the man behind “Pontypool.”

This interview first appeared in Postscripts to Darkness Volume 4, a companion to Tony Burgess’s masterful short, “Soft Shell Story.” Tony speaks with PstD editor Aalya Ahmad about the writing process, language and character, and adapting his work for film. His latest novel, The n-Body Problem, is available from ChiZine Press.

AA: Can you tell us a bit about how and when you started writing?

TB: I started writing pretty much when I could spell. I used to tell stories to my family on car trips and do plays for the neighbourhood in my basement. Make short Super 8 films. My main focus, up until my 20s, was visual art and the rest was a kind of sidebar. I believed, as a child, that pretty much everything was worth altering. I was less about showing than the private route. I still have that feeling. The beginning of anything for me is stepping outside and turning rocks, finding things on the ground, painting grass…I am an aging finger-painter.

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Aurora Bright

helenThe 2014 Aurora Award nominees were announced this week, and we’re delighted to see one of our own on the list. Helen Marshall’s poem, “The Collected Postcards of Billy the Kid,” first appeared in Postscripts to Darkness Volume 4 in October 2013. As our Poetry Editor Dominik Parisien wrote in his introduction, the poem “provides us with ‘the lost years’ of yet another literary figure, Billy the Kid, and fills them with uncanny images and queer beauty.” It’s wonderful that Canadian readers apparently agree, enough to lift a swell of nominations Helen’s way. We wish her all the best at the awards ceremony in October.

We’re also happy to see that PstD friend and interviewee Amal El-Mohtar earned two poetry nominations on the same ballot, and that Matt Moore and ChiSeries Ottawa earned a Best Fan Organizational nomination. As regulars at the Ottawa ChiSeries readings, we can attest to the literary merriment to be had at these events, and we’re grateful for the way they glue the Ottawa SFF community together. There is so much fine talent in these here parts and it’s wonderful to see that talent gathered and celebrated on a regular basis. May ChiSeries endure into infinity.

Volume 5 Contributors

Illustration by Tomasz Wieja

Illustration by Tomasz Wieja

Stalks of corn sprang up from the earth and shed mounds of silk, which threaded together with spider webs into a shimmering translucent sheath. It clung to her body in a way that left little to the imagination, showing off her curves in all their glory. The strands of gold and silver also worked their way into her flaxen hair, surrounding her face with a majestic halo of luminescent tresses. Her footwear flowed up from the ground, a splash of water that adhered to her skin and froze there, looking like shoes of glass. […] The dust from moth wings powdered Ella’s skin and crushed rosehips coloured her cyanotic lips and cheeks, disguising their bluish cast. Adornments of ice pellets, shining like diamonds, encircled her neck and clung to her ears. […] Frosted morsels of rotting pumpkin from the garden’s pumpkin patch, silvery-orange chunks of ice, assembled themselves into a formidable carriage. White horses in ivory harnesses sprang up from the snow, formed only from the bitter white, standing at the ready to draw Ella’s carriage. Tara sighed in satisfaction.

From “The Godmother’s Curse,” by Chantal Boudreau

Here’s what you’ll find in Volume 5, coming this summer:

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Rhysling Joy

2013We’re very pleased to announce that a poem published in our fourth volume has been nominated for a 2013 Rhysling Award (long poem). Helen Marshall’s “The Collected Works of Billy the Kid” has been described by our poetry editor, Dominik Parisien, as a “reimagining and interrogation of literature,” one that “provides us with ‘the lost years’ of […] Billy the Kid, and fills them with uncanny images and queer beauty.”

Speaking of Dominik, we’re pleased to see that he himself has been recognized in the long poem category for the 2013 Rhysling. His piece, “Sand Bags,” appeared in Strange Horizons this past November and jarred us: “the hole is an open    mouth/ and her tongue throws     words /like sand bags.”

Hats off to both of you lovely people.

We’re an open book again

marmion

 

After a long break and a lifeless inbox, we’re open for submissions again. We’re reading for Volume 6 and will accept your stories until May 31, 2014. Be sure to read our updated submission guidelines — a few key things have changed.

An Interview with Peter Atkins and Glen Hirshberg

Glen Hirshberg (L) and Peter Atkins (R) founded the Rolling Darkness Revue in 2004.

Glen Hirshberg (L) and Peter Atkins (R) founded the Rolling Darkness Revue in 2004.

Fresh from the PstD vault! The following is excerpted from a transcribed interview with Glen Hirshberg and Peter Atkins, conducted by Sean Moreland and James Greatrex on October 24, 2010. Atkins and Hirshberg had just performed as the Rolling Darkness Revue at the Mayfair Theatre the night before, as part of that year’s Ottawa International Writer’s Festival. This interview originally appeared in our inaugural issue, Postscripts to Darkness Volume 1. We owe a great deal to these gentlemen for the inspiration. Read more about how the Rolling Darkness Revue helped ignite our project.

Peter Atkins was part of Clive Barker’s The Dog Company in 1970s Liverpool. He is an actor, composer, and novelist, and is perhaps best known for his work as a screenwriter. Credits include the Hellraiser and Wishmaster series. He has twice been nominated for a British Fantasy Award. Glen Hirshberg is author of The Snowman’s Children (2002) and The Two Sams (2003). His latest novel, Motherless Child, is due out spring 2014. His work has earned him a Shirley Jackson Award, several International Horror Guild awards, and has been nominated twice for a World Fantasy Award. Hirshberg and Atkins founded the Rolling Darkness Revue in 2004.

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