Volume 3 contributors

Postscripts to Darkness Volume 3 is dedicated, in loving memory, to our sister of the sinister and fellow devotee of the weird, Leslie Crate  (Lesleigh Frankenstein). Ave atque vale, old friend.

Illustration by MANDEM

Illustration by MANDEM

Suddenly the stairs end and the hard surface beneath my feet flattens. I move through a doorway and into the night. The sky is illuminated by a nearly full moon, and scattered with chips of stars. Pale light reveals the child to be a boy dressed in a long robe hanging nearly to his ankles, which are as bare as his feet. It is the kind of roughly woven garment worn in the desert, scratchy against the skin. Desert. The word stirs inside me, followed immediately by the realization that the small town, sleeping or abandoned around me, is poised between the western Sahara and the Atlantic Ocean. At the next instant I become aware that the ocean must be near: a sound of surf heaves now to our right, now to the left. Disproportionately loud, even magnified, the waves wash each thought from my mind before it has barely formed, before it can be pursued. Still turned from me, the boy pauses in front of a black palm whose branches, rustling in the breeze, cast shadows that sway and shift across him. Hypnotized by the sight, I don’t notice immediately that the boy has moved away, that I stare at only shadows.

From “The Palm at the End of the Mind,” by Patrick Roscoe

Volume 3 features the following stories and art: 

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A Holiday story from your friends at PstD

Image courtesy of Fashion Scout

Image courtesy of Fashion Scout

Happy Holidays, dear readers! For you, something festive yet dark, with love from Postscripts to Darkness. The following tale was composed, exquisite-corpse-style, by four PstD grinches, none of whom knew what the next contributor was planning. Chapter 1: Tisha Moor. Chapter 2: Ranylt Richildis. Chapter 3: Canice Caskey. Chapter 4: James K. Moran. These four naifs quickly learned just how challenging it is to produce a decent tale using this method. We can’t promise it’s our best work, but in the spirit of giving, here are the results. 

Christmas in a Box

 Chapter 1 (TM)

With every passing kilometre, her headache worsened until, by the time their little car approached the widening lanes and towering condos of Toronto’s sprawl, Elena had to crack open her window and press her forehead to the cool glass, her eyes squeezed shut to keep out the grey glow of the clouded sun.

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Volume 2 Launches: Kingston and Ottawa

cover 2Kingston

On Wednesday, August 1, 2012 at the Pilot House in Kingston, Postscripts to Darkness will celebrate the launch of our long-awaited second volume. The launch will be in collaboration with Kingston’s Wednesday Night Filmmakers, who will be showcasing and discussing some of their own short horrific and/or uncanny films in conjunction with the book launch. It’s a great opportunity to come out and have a few drinks and some great conversation, as well as expose yourself to some of the strange and wonderful work being done by some talented local (and not so local) writers and filmmakers…and, of course, to support a small but very determined indie press!

Ottawa

Come and enjoy some uncanny literature, creepy conversations, and fine food and drinks on August 11, 7 pm, at the Imperial Pub, 329 Bank Street, for the Ottawa launch of Volume 2. We’ll have copies of the book for sale, as well as a number of our authors and artists on hand to read from, discuss, display (and possibly sign!) their work. We’ll also be announcing the call for submissions and some details for our planned third issue. Did we mention great food and drinks?

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Volume 2 Contributors

Illustration by Miles Tittle

Illustration by Miles Tittle

We call it the Mouth but in aspect it was really a face. As it came to light (we used pine boughs to brush dirt from crannies), we found a round, moony countenance in the forest floor that confronted us with one open eye and one closed, and a mouth three times too large for them, out of ratio. The face spanked of the ancient. Its lids were hooded; it winked at us, no pupil in the gray stone sclera of the open right eye. The nose was two dainty points. There were lumps at either side of the moon that suggested ears. We dug, but didn’t find neck or shoulders in the ravine’s floor. We dealt with the disembodied.

From “Long After the Greeks,” by Ranylt Richildis

Here’s what you’ll find in Volume 2, which launches August 2012:

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Volume 1 Contributors

Illustration by Brenda Dunn

Illustration by Brenda Dunn

I was young when it happened. I was looking from the neat apartment I had just moved into, down from my window into the garden just beneath me. I remember it was a lovely garden. There were dark roses, like spilled wine, and a curtain of heavenly blue morning glories. I was daydreaming about the garden that I wanted someday. It would have such roses and glories, and also moonflowers and jasmine, dahlias and evening primrose. Snapdragons, honeysuckle. Lilies, tiger lilies. […] My body met the ground six storeys below with crushing force. I landed feet-first, shattering the bones of my feet, my ankles, driving them up into the splintered pulp of my shins. All my soft organs, shaken and stirred, bubbled weakly and ceased to function. The white-hot glare of my impact did not last very long.

From “Snapdragons and Tiger Lilies,” by Tisha Moor

Here’s what you’ll find in our inaugural issue:

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Postscripts to Darkness: A history

“Playground of Fire,” by Mark Slater, appeared in PstD Volume 1

This project came to be through two distinct inspirations:

First, I was lucky to have Rhysling nominee Dominik Parisien in one of my sections of English 2136: The Fiction of Horror at the University of Ottawa. Dom and I had kicked around the idea of putting together an anthology of short fantasy and horror fiction since 2006, and indeed he co-edited the inaugural issue of Postscripts to Darkness.

Second, back in 2008, Shirley Jackson Award winner Glen Hirshberg and British Fantasy Award nominee Peter Atkins launched their itinerant ghost-story troupe, the Rolling Darkness Revue. Fascinated, Rue Morgue contributor James K. Moran and I spent nearly two years plotting to bring the Revue up to Canada. In fall 2010, after securing funding from the U.S. Embassy, the Ottawa International Writers Festival, the University of Nippissing, and the University of Ottawa, we finally saw our plotting pay off.

In an attempt to generate interest in the event, and to showcase local talent, James, Dom and I organized a micro-fiction competition called “A Prelude to Darkness.” We invited submissions of short weird fiction and selected seven finalists. These finalists were passed on to Hirshberg and Atkins, who chose their three favourites. The winning authors were invited to read their fictions with Atkins and Hirshberg during their presentation at the University of Ottawa. As it turned out, the judges were so impressed by the quality of the submissions that we felt the need to do something more with them. A book seemed apt — a postscript, if you will, to the Rolling Darkness Revue.

“Obelisk of Judgment,” by Mark Slater, appeared in PstD Volume 1

We enlisted the aid of local writer and designer Jesse Adrian Wolfe, because we admired the work he’d done for the Ottawa Arts Review. The project continued to grow as we commissioned visual art to accompany some of the winning fictions, and additional short stories from other writers in the field. We also conducted an interview with Atkins and Hirshberg, and another with Nebula nominee Amal El-Mohtar, gifted Goblin Fruit editor and rising star in the fields of speculative fiction and poetry, as well as a University of Ottawa alumnus.

Following our second volume,  the number of submissions we received was so great, we put together a team to manage Postscripts to Darkness. Aalya Ahmad joined us as story editor and events coordinator in 2011, and James K. Moran has been conducted great interviews for us as of 2012. Danny Lalonde took charge of design and layout in 2012, and Ranylt Richildis hopped aboard as copy editor that same year then as story editor in 2013. Dominik Parisien returned as poetry editor in 2013, and our fourth, fifth, and sixth and final print volume continued with that lineup.

Now that we’ve moved to a web-only model and have, at least for the time being, moved away from open submissions calls, we’ve pared back to a two-editor line-up, as I select and curate prose-fiction features, and Dominik handles poetry.

We hope you enjoy our new webzine format.

Sean Moreland, Founder and chief editor